[ Read Online Other Criteria: Confrontations with Twentieth-Century Art ☆ womens-studies PDF ] by Leo Steinberg Ý babyandbeyondshow.co.uk

[ Read Online Other Criteria: Confrontations with Twentieth-Century Art ☆ womens-studies PDF ] by Leo Steinberg Ý Leo Steinberg S Classic Other Criteria Comprises Eighteen Essays On Topics Ranging From Contemporary Art And The Plight Of Its Public And The Flatbed Picture Plane To Reflections On Picasso, Rauschenberg, Rodin, De Kooning, Pollock, Guston, And Jasper Johns The Latter, Which Francine Du Plessix Gray Called A Tour De Force Of Critical Method, Is Widely Regarded As The Most Eye Opening Analysis Of The Johns S Work Ever Written This Edition Includes A New Preface And A Handful Of Additional Illustrations The Art Book Of The Year, If Not Of The Decade And Possibly Of The Century The Significance Of This Volume Lies Not So Much In The Quality Of Its Insights Although The Quality Is Very High And The Insights Are Important As In The Richness, Precision, And Elegance Of Its Style A Meeting With The Mind Of Leo Steinberg Is One Of The Most Enlightening Experiences That Contemporary Criticism Affords



A mixed bag of art history essays Whenever Steinberg writes about art in general he is fascinating His account of how he had to learn to appreciate Jasper Johns, who displayed none of the aesthetic qualitites that Steinberg had learned to look out for and appreciate in art, is superb It is also a great argument against formalism, recognising that some art has the power to shift our perception about what art can be rather than expecting it to fit into a pre existing criteria Apart from anything else his writing shifts some power and authority from the hands of the critics to the hands of the artists He also writes a pretty devestating critique of Clement Greenberg s formalism, whilst acknowledging that Abstract Expressionism needed the advocacy of Greenberg to achieve the level of acclaim and recognition it eventually received When Steinberg writes about a particular artist I found it a bit less interesting and a bitdry I expect these sections to be of greater interest to art historians than the general reader The exception is the essay on Rodin which makes a pretty convincing case for his greatness.

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